Convention:: VIVA DANÇA CONVENTION
Place: Braga, Portugal
Collaboration: Jean Philippe Dury como profesor invitado
Link: vivadancaconvention

Performance: “NICHTS (RENAISSANCE)”

Choreography: Marco Goecke

Place: Kuopio Dance Festival (Kuopio, Finlandia)

Description: On the sublime music of Keith Jarrett and Jimi Hendrix, the body and its movement become the poetic instruments of a revealed ontology that seems to have been created from another world. A work that questions the impact of emotion on the movement. Pure dance that reconciles elegance with a passionate speech full of meaning. This show will be preceded during the opening ceremony of MADferia 2020.

Link:

http://www.kuopiodancefestival.fi/frontpage

Performance: “NICHTS (RENAISSANCE)”

Choreography: Marco Goecke

Place: Kuopio Dance Festival (Kuopio, Finlandia)

Description: On the sublime music of Keith Jarrett and Jimi Hendrix, the body and its movement become the poetic instruments of a revealed ontology that seems to have been created from another world. A work that questions the impact of emotion on the movement. Pure dance that reconciles elegance with a passionate speech full of meaning. This show will be preceded during the opening ceremony of MADferia 2020.

Link:

http://www.kuopiodancefestival.fi/frontpage

Performance: “NICHTS (RENAISSANCE)”

Choreography: Marco Goecke

Place: Kuopio Dance Festival (Kuopio, Finlandia)

Description: On the sublime music of Keith Jarrett and Jimi Hendrix, the body and its movement become the poetic instruments of a revealed ontology that seems to have been created from another world. A work that questions the impact of emotion on the movement. Pure dance that reconciles elegance with a passionate speech full of meaning. This show will be preceded during the opening ceremony of MADferia 2020.

Link:

http://www.kuopiodancefestival.fi/frontpage

Performance: “Romeo y Julieta”

Choreography: Jean Philippe Dury

Place: Sens, Francia

Description:

Dury’s version of Shakespeare’s most known love tragedy shows two conscious adults and two families, two languages, representing different cultural groups: contemporary dance mixed with the traditional Spanish dance. The choreography develops new movements and uses traditional aspects -such as “castañuelas”, fans or the “bata de cola“ dress- become contemporary tools in a rich exchange between the codes of Spanish dance, flamenco and contemporary dance.

This new version of Romeo and Juliet  proposes a new reading beyond gender characteristics playing with the characters, exchanging female and male roles. Romeo and Juliet are not two crazy teenagers. They are aware of their tragedy and they know that for them the miscegenation is impossible. Death hangs over them.